“Swear to God, Perce, if I remembered, I’d tell you.” I take another swallow of sherry straight out of the decanter and set it down on the sideboard, nearly missing. It lands a little harder than I meant. “It’s a burden, you know.”
“Being this good-looking. Not a soul can keep their hands off me.”
He laughs, closemouthed. “Poor Monty, such a cross.”
“Cross? What cross?”
“Everyone falls in immediate, passionate love with you.”
“They can hardly be blamed. I’d fall in love with me, if I met me.” And then I flash him a smile that is…
“You could rattle the stars,” she whispered. “You could do anything, if you only dared. And deep down, you know it, too. That’s what scares you most.”
The above quote comes from a pivotal moment in Throne of Glass by Sarah J. Maas. Some might find it cheesy, but writing YA means tapping into those teenage moments of feeling the world is full of infinite possibilities. When looking at the big picture, remember that fantasy stories are about capturing that sense of adventure.
The book that renewed my love for young adult fantasy was Laini Taylor’s Daughter of Smoke & Bone, where wishes can be bought with strange currency:
It wasn’t like in the storybooks. No witches lurked at crossroads disguised as crones, waiting to reward travelers who shared their bread. Genies didn’t burst from lamps, and talking fish didn’t bargain for their lives. In all the world, there was only one place humans could get wishes: Brimstone’s shop. And there was only one currency he accepted. It wasn’t gold, or riddles, or kindness, or any other fairy-tale nonsense, and no, it wasn’t…
“Write what disturbs you, what you fear, what you have not been willing to speak about. Be willing to be split open.”
— Natalie Goldberg
When was the last time a book changed you? What stories have made you think, cry, fall in love, feel uncomfortable, left you in a state of awe or despair?
Pouring our deepest feelings into stories allows us to connect with other people across time and space. And in writing with emotional honesty, we better understand ourselves.
As much as I’ve internalized inspirational messages like “write the book you want to read” and “believe in your writing,” I still procrastinate and feel down about the quantity and quality of my stories. Change is easier said than done.
But on rare occasions, I’ll find a piece of writing advice that triggers a metamorphosis. My entire mindset shifts, and I become an altogether different type of writer, behaving in ways I had never attempted before.
These are the three pieces of writing advice that changed my life.
In 2017, I started seriously submitting my writing to professional publications. That…
When I was asked to be a judge for the Page Turner Awards, the contest almost sounded too good to be true. The prizes were bigger and more numerous than normal writing contest fare: publishing contracts, audiobook productions, film rights options, and writing mentorships. But after scouring their website and watching the heartwarming video interviews with past winners, I was quickly won over by the organization’s genuine compassion for writers.
The judges are paid in good feelings, so the sole reason I’m passionate about promoting the Page Turner Awards is because it’s such an excellent opportunity for writers to be…
Trunk stories are novels or short stories you’ve had to bury because — for whatever reason — they feel lifeless. Here, I’ll explore tips and tricks for sensing when a story deserves to bite the dust or be reanimated with fresh parts.
“Trunk stories are stories you know aren’t good. Stories that don’t quite work and you can’t seem to fix. Stories you no longer believe in. Stories that taught you something valuable about the writing process but have no outer redeeming value.” — Alex Acks
There’s no such thing as a perfectly plotted book. In any story, you’re bound to find plot holes, flawed character logic, and boring scenes. Plus, it’s just not possible to please every reader. When you’re constructing your plot, take some of that pressure off of yourself and focus on telling a story that makes you excited to share it with the world.
To create that confidence in your work, you can avoid these four common plotting pitfalls I’ve encountered as a developmental editor, reader, and writer.
If you’re a writer, you’re probably familiar with struggling to convey your ideas through words alone and screaming your creative aspirations into the void of an uncaring universe. Feelings like this are common enough to have colloquial terms within the writing community — and if you name something, you gain power over it.
Let’s take a look at some writer problems and how to handle them.
Writers must strike the right balance between rich details that will immerse readers in the story and excessive descriptions that will put the audience to sleep. Overwritten prose can weigh readers down with too much verbiage. Underwritten prose might not allow the reader to fully visualize and experience the story.
Most writers lean more one way than the other, but your style might vary depending on the type of information you’re trying to convey or your intentions for a particular project. You might tend to overwrite setting descriptions and underwrite dialogue, or vice versa. …